{"id":240029,"date":"2023-06-08T10:06:15","date_gmt":"2023-06-08T10:06:15","guid":{"rendered":"https:\/\/compagnielezart.fr\/?page_id=240029"},"modified":"2023-06-08T16:23:41","modified_gmt":"2023-06-08T16:23:41","slug":"chant-profond-juif-1ere-partie-infos","status":"publish","type":"page","link":"https:\/\/compagnielezart.fr\/?page_id=240029","title":{"rendered":"Chant profond juif 1\u00e8re partie – Infos"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_button button_url=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/02\/Le-Chant-Profond-Juif_Dossier_photos_V2-1.pdf\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb button_text=\u00a0\u00bbPDF Dossier de presse\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb19%\u00a0\u00bb global_module=\u00a0\u00bb240033″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb||0px||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/06\/Cle-4.png\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text=\u00a0\u00bbCle\u0301-4″ hover_enabled=\u00a0\u00bb0″ sticky_enabled=\u00a0\u00bb0″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#E02B20″ header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Le Chant Profond \u00e9voque ce qui est enracin\u00e9 dans l\u2019histoire et la culture d\u2019un peuple.\u00a0<\/span><\/span><\/h2>\n

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L<\/span>e<\/h1>\n

C<\/span>hant <\/span><\/h1>\n

Profond<\/h1>\n

Juif<\/h1>\n

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1e partie – Textes, po\u00e8mes et chants s\u00e9pharades<\/h2>\n

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Si enracin\u00e9e qu\u2018elle soit dans les \u00e9critures qui la fonde, l\u2019identit\u00e9 juive a \u00e9volu\u00e9 au fil des si\u00e8cles. Apr\u00e8s s\u2019\u00eatre affirm\u00e9e en terre biblique, elle s\u2019est reformul\u00e9e du fait de l\u2019exil, principalement sur le pourtour de la M\u00e9diterran\u00e9e et dans toute l\u2019Europe. Le Chant Profond Juif premi\u00e8re partie, nous fait conna\u00eetre les Juifs s\u00e9pharades
qui v\u00e9curent en Espagne avant d\u2019en \u00eatre chass\u00e9s pour se r\u00e9fugier autour
de la M\u00e9diterran\u00e9e o\u00f9 certains vivent encore de nos jours. Le spectacle met
aussi en sc\u00e8ne quelques extraits d\u2019\u0153uvres d\u2019auteurs juifs de Provence.<\/p>\n

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Le Chant Profond Juif seconde partie, est l\u2019expression des Juifs ashk\u00e9nazes, Juifs des pays Europe, de l\u2019Est \u00e0 l\u2019Ouest. Certains travers\u00e8rent l\u2019oc\u00e9an Atlantique \u00e0 la fin du XIXe si\u00e8cle pour trouver une vie meilleure, beaucoup d\u2019autres furent assassin\u00e9s lors de la seconde guerre mondiale. Chacune de ces branches du juda\u00efsme a connu un \u201c\u00e2ge d\u2019or\u201d dont il reste un h\u00e9ritage litt\u00e9raire et musical exceptionnel. Comme si rien ne nous avait s\u00e9par\u00e9 du pass\u00e9, aujourd\u2019hui, ces textes et ces musiques ont travers\u00e9 les si\u00e8cles et nous parlent au pr\u00e9sent.<\/p>\n

Jean-Henri Blumen<\/p>\n

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1\u00e8re<\/sup> partie<\/h2>\n

Textes, po\u00e8mes et chants s\u00e9pharades
Un voyage th\u00e9\u00e2tral, po\u00e9tique et musical
des temps anciens jusqu\u2019\u00e0 nos jours<\/h2>\n

\u2013\u2013\u2013\u2013\u2013\u2013<\/span><\/p>\n

Spectacle h\u00e9ritage d\u2019une culture juive de l\u2019exil<\/h3>\n

Le Chant Profond Juif, dans une version pr\u00e9c\u00e9dente, fut pr\u00e9sent\u00e9 au 32e<\/sup> Festival
Officiel d\u2019Avignon et coproduit par France Culture. Repris ensuite \u00e0 Paris, le spectacle connu un grand succ\u00e8s.\u00a0<\/span><\/span><\/p>\n

Conception et r\u00e9alisation\u00a0<\/span><\/span><\/h4>\n

Jean-Henri Blumen<\/span><\/strong><\/p>\n

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Avec<\/span><\/span><\/p>\n

Chant :<\/span><\/p>\n

Suzanne Ben Zakoun<\/span><\/strong><\/span><\/p>\n

Com\u00e9diens :<\/span><\/p>\n

Francesca Congiu<\/span><\/strong><\/p>\n

Fran\u00e7ois Delaive<\/span><\/strong><\/p>\n

Ren\u00e9 Hernandez<\/span><\/strong><\/p>\n

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Musiciens<\/span><\/p>\n

Suzanne Ben Zakoun<\/strong> – Piano<\/span><\/p>\n

Alain Speiser<\/strong> – Guitare<\/span><\/p>\n

Baptiste Archimbaud<\/strong> – Contrebasse\u00a0<\/span><\/span><\/p>\n

Romain Speiser<\/strong> \u2013 Percussions<\/span><\/p>\n

Wilfried Touati<\/strong> – Accord\u00e9on<\/span><\/p>\n

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La culture jud\u00e9o-espagnole nous confie
un h\u00e9ritage litt\u00e9raire et musical exceptionnel<\/h3>\n

\u2013\u2013\u2013\u2013\u2013\u2013<\/p>\n

\u00ab Nul glaive de tristesse et de souffrance Ne peut an\u00e9antir mon h\u00e9ritage, Ma floraison, et mon peuple et ma foi, Ni pour ma libert\u00e9 forger des cha\u00eenes, Et sous l\u2019\u00e9p\u00e9e toujours criera ma voix : Je suis un Juif ! \u00bb<\/h4>\n

Cet extrait d\u2019un po\u00e8me d\u2019Itzik Fefer est la profession de foi d\u2019un peuple qui, \u00e0 travers toutes les inquisitions et les massacres, a entonn\u00e9 un chant d\u2019espoir et de vie.<\/p>\n

\u2013 1 \u2013<\/h2>\n

Malgr\u00e9 sa d\u00e9faite contre l\u2019Empire Romain, le peuple juif a continu\u00e9 d\u2019exister. Il a travers\u00e9 vingt si\u00e8cles d\u2019histoire les mains nues en maintenant une pr\u00e9sence spirituelle en exil par la seule vertu de l\u2019esprit.<\/p>\n

D\u00e8s l\u2019antiquit\u00e9 romaine des Juifs s\u2019\u00e9tablissent autour du bassin m\u00e9diterran\u00e9en. Apr\u00e8s la domination romaine l\u2019Espagne devient le th\u00e9\u00e2tre d\u2019invasions successives,
les royaumes wisigoths, berb\u00e8res, arabes, chr\u00e9tiens, se combattent. \u00c0 la faveur d\u2019une p\u00e9riode de stabilit\u00e9 relative un \u00e2ge d\u2019or du juda\u00efsme se d\u00e9veloppe dans la p\u00e9ninsule ib\u00e9rique : il est \u00e0 l\u2019origine de la culture jud\u00e9o-espagnole.<\/p>\n

Le terme \u201cS\u00e9pharad\u201d signifie Espagne en h\u00e9breu. De nos jours il d\u00e9signe tous les Juifs d\u2019Orient et ceux du bassin m\u00e9diterran\u00e9en.<\/p>\n

[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/06\/DSCO1107.JPG-Fleurio.png\u00a0\u00bb title_text=\u00a0\u00bbDSCO1107.JPG-Fleurio\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#af004b\u00a0\u00bb header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u2013 <\/b><\/span>2<\/b><\/span> \u2013<\/b><\/span><\/h2>\n

L\u2019\u00e2ge d\u2019or du juda\u00efsme espagnol correspond \u00e0 une p\u00e9riode de grandeur et de f\u00e9condit\u00e9 intellectuelle \u2013 tant sur le plan religieux, philosophique et scientifique \u2013 que sur le plan artistique. Cette p\u00e9riode s\u2019\u00e9tend entre le Xe<\/sup> et le XIIe<\/sup> si\u00e8cle.<\/span><\/span><\/p>\n

Un des plus grands po\u00e8tes lyriques juifs espagnols fut Yehuda Hall\u00e9vi. Po\u00e8te et philosophe, il chanta l\u2019amour en h\u00e9breu en puisant une grande partie de son inspiration dans les textes bibliques. Yehuda Hall\u00e9vi apporta une vision nouvelle du destin de son peuple\u00a0: le retour \u00e0 Sion. Il disparu lors de son voyage vers J\u00e9rusalem en 1141. \u00e0 la m\u00eame \u00e9poque, Salomon Ibn Gabirol, Mo\u00efse Ibn Ezra, Abraham Ibn Ezra, Samuel Ibn Nagrila
ont \u00e9crit en h\u00e9breu ou en espagnol des po\u00e8mes profanes.\u00a0<\/span><\/span><\/p>\n

\u2013 <\/b><\/span>3<\/b><\/span> \u2013<\/b><\/span><\/span><\/h2>\n

En 1492, les Juifs furent chass\u00e9s d\u2019Espagne. Cet \u00e9v\u00e9nement fit s\u2019effondrer tout un monde car pour eux, S\u00e9pharad, l\u2019Espagne \u00e9tait leur patrie. Ils trouv\u00e8rent refuge au Maroc,
en Turquie, en Gr\u00e8ce, en Italie, en Egypte, pour ne citer que ces pays. La mort dans l\u2019\u00e2me, juifs et espagnols \u00e0 la fois, ils ont emport\u00e9 dans leur exil forc\u00e9 la nostalgie d\u2019une seconde terre promise, leurs us et coutumes, leur langue, proverbes, contes, leurs romances
et leur musique. \u00a0<\/span><\/span><\/span><\/p>\n

La dispersion des Juifs s\u00e9pharades s\u2019est \u00e9tendue dans l\u2019espace et dans le temps.\u00a0<\/span><\/span><\/p>\n

il ne faudra pas s\u2019\u00e9tonner de d\u00e9couvrir dans ce spectacle des \u0153uvres de po\u00e8tes juifs
de Provence du XIIIe<\/sup> si\u00e8cle tel Isaac Gorni, des textes d\u2019Isaac Abravanel, exil\u00e9 du Portugal vers l\u2019Italie.\u00a0<\/span><\/span><\/p>\n

Plus proche de nous sont les po\u00e8tes Rapha\u00ebl Eliaz, n\u00e9 en 1905 en Bulgarie
et Yakovos Cambanellis n\u00e9 en Gr\u00e8ce en 1921. Enfin, parmi les lointains descendants
des s\u00e9pharades, on ne sera pas surpris de voir un extrait de l\u2019\u0153uvre d\u2019Albert Cohen,
ni d\u2019entendre une chanson d\u2019Enrico Macias, J\u2019ai quitt\u00e9 mon pays,<\/i> pleurant
sur l\u2019exil des rapatri\u00e9s d\u2019Alg\u00e9rie.<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/06\/DSCF4826.png\u00a0\u00bb title_text=\u00a0\u00bbDSCF4826″ align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#af004b\u00a0\u00bb header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u2013 <\/b><\/span>4<\/b><\/span> \u2013<\/b><\/span><\/h2>\n

Textes, po\u00e8mes et chants de S\u00e9pharad, le Chant Profond de ces Juifs de la M\u00e9diterran\u00e9e constitue aujourd\u2019hui le t\u00e9moignage encore vivant d\u2019une soci\u00e9t\u00e9 qui pr\u00e9f\u00e9ra l\u2019exil <\/span>au reniement. Comment ne pas penser aux millions de Juifs fuyant l\u2019Empire Russe et ses pogroms sanglants \u00e0 la fin du XIXe<\/sup> si\u00e8cle.\u00a0 <\/span>Comment ne pas oublier que les Juifs d\u2019Orient, Irak, Iran, Syrie, \u00e9gypte, Yemen, et ceux d\u2019Afrique du Nord ont connu aussi l\u2019exil au milieu du XXe<\/sup> si\u00e8cle.<\/span><\/p>\n

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Le Chant Profond Juif<\/span><\/h3>\n

\u2013\u2013\u2013\u2013\u2013\u2013<\/span><\/p>\n

\u00ab<\/span>\u00a0La parole forme chaque homme comme elle forme les peuples.<\/i><\/p>\n

Les pri\u00e8res juives ont \u00e9t\u00e9 d\u2019abord pour une grande part des po\u00e8mes \u00e0 commencer par les psaumes.<\/i>\u00a0<\/span>\u00bb<\/span><\/p>\n

G\u00e9rard Rabinovitch<\/span><\/strong><\/p>\n

<\/span><\/p>\n

\u00ab<\/span>\u00a0\u00e0 notre \u00e9poque troubl\u00e9e l\u2019ignorance et la barbarie
parlent ensemble d\u2019une m\u00eame voix toujours plus forte.
Le Chant Profond Juif r\u00e9pond avec un floril\u00e8ge de textes po\u00e9tiques, de musiques et de chants, o\u00f9 com\u00e9diens, chanteuse et musiciens expriment \u201cl\u2019humain dans l\u2019homme\u201d.<\/i>\u00a0<\/span>\u00bb<\/span>\u00a0<\/span><\/i><\/span><\/p>\n

Jean-Henri Blumen<\/span><\/strong><\/p>\n

[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/02\/Chant-Profond-IMG_1836.jpg\u00a0\u00bb title_text=\u00a0\u00bbChant Profond – IMG_1836″ align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb3_4,1_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#af004b\u00a0\u00bb header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Jean-Henri Blumen<\/span><\/span><\/h3>\n

Jean-Henri Blumen est le fils d\u2019un violoniste venu
de Roumanie qui devint chef d\u2019orchestre dans les grands cabarets russes de Paris. Sa m\u00e8re fut une des rares rescap\u00e9es du camp de concentration d\u2019Auschwitz. \u00a0<\/span><\/span><\/p>\n

Apr\u00e8s le lyc\u00e9e, il poursuit des \u00e9tudes sup\u00e9rieures m\u00e9dicales tout en \u00e9tant figurant \u00e0 l\u2019Op\u00e9ra de Paris. Il rencontre \u00e0 cette occasion le peintre Marc Chagal. Se constitue dans ces ann\u00e9es une culture musicale classique tr\u00e8s \u00e9tendue.<\/span><\/p>\n

<\/span><\/p>\n

En 1968, encore \u00e9tudiant et \u00e0 la fois musicien, il fonde l\u2019Ensemble Kol Aviv, troupe de chants et danses qu\u2019il dirigera durant quinze ann\u00e9es.\u00a0<\/span><\/span><\/p>\n

Outre les nombreuses tourn\u00e9es, la troupe Kol Aviv remporta avec Talila, Le Grand Prix
du Disque de l\u2019Acad\u00e9mie Charles Cros. L\u2019Ensemble musical fut programm\u00e9e au Festival d\u2019Avignon In, quant aux danseurs de la troupe Kol Aviv, ils firent une apparition remarqu\u00e9e au cin\u00e9ma avec une danse extraite de leur r\u00e9pertoire, danse qui reste d\u00e9sormais celle des Aventures de Rabbi Jacob<\/i>.<\/span><\/span><\/p>\n

\u00c0 partir de 1985, Jean-Henri Blumen suit une formation th\u00e9\u00e2trale aupr\u00e8s des professeurs de l\u2019\u00e9cole Jacques Lecocq et des assistants de Peter Brook.<\/span><\/p>\n

En 1989, il fonde la Compagnie L\u00e9zart, \u00e9crit et compose\u00a0 les ann\u00e9es suivantes pour le spectacle vivant.<\/span><\/p>\n

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Suzanne Ben Zakoun<\/span><\/span><\/h3>\n

N\u00e9e en 1998, Suzanne Ben Zakoun, a grandi dans l\u2019univers de la musique. Fille de parents pianistes, elle entreprend, d\u00e8s l\u2019\u00e2ge de 14 ans, de 2013 \u00e0 2020, des \u00e9tudes musicales de haut niveau au Conservatoire National Sup\u00e9rieur de Musique et de Danse de Paris d\u2019o\u00f9 elle sort avec une s\u00e9rie impressionnante de dipl\u00f4mes prestigieux.<\/span><\/p>\n

Suzanne Ben Zakoun se produit en concert comme soliste ainsi qu\u2019en musique de chambre. Elle joue au sein de plusieurs formations de musique classique et de musique argentine, ce qui t\u00e9moigne de son int\u00e9r\u00eat pour l\u2019exploration musicale.
<\/span><\/p>\n

Avec le chant Jud\u00e9o-espagnol qu\u2019elle interpr\u00e8te en s\u2019accompagnant au piano,\u00a0<\/span>Suzanne Ben Zakoun se r\u00e9v\u00e8le par ses arrangements originaux.<\/span><\/p>\n

\u00ab \u201d\u00e9tonne-moi !\u201d, disait Jean Cocteau, j\u2019ajouterai pour ma part : Surprends-moi !<\/i>
<\/span><\/p>\n

C\u2019est ce qu\u2019accomplit Suzanne Ben Zakoun avec le r\u00e9pertoire Jud\u00e9o-espagnol.
En l\u2019\u00e9coutant, je ne peux m\u2019emp\u00eacher de penser au talentueux musicien de jazz Avicha\u00ef Cohen dans le m\u00eame domaine. \u00bb<\/i><\/span><\/p>\n

\u00ab Avec Suzanne Ben Zakoun, l\u2019incroyable, musicalement parlant, est devenu possible<\/i>. <\/i>\u00bb<\/span><\/span><\/p>\n

Jean-Henri Blumen<\/span><\/p>\n

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Francesca Congiu<\/span><\/span><\/h3>\n

Est une chanteuse et une com\u00e9dienne qui passe constamment de la musique au th\u00e9\u00e2tre et r\u00e9ciproquement. Dans le cadre de ses \u00e9tudes Francesca Congiu obtient un premier prix de chant suivi d\u2019un dipl\u00f4me sup\u00e9rieur au Conservatoire Royal de Musique de Li\u00e8ge.<\/span><\/p>\n

Elle fait ensuite ses d\u00e9buts comme com\u00e9dienne-chanteuse avec la compagnie belge du Th\u00e9\u00e2tre Musical Possible.
En France, elle poursuit sa formation au Studio Versailles Op\u00e9ra, puis m\u00e8ne une carri\u00e8re de soliste dans diverses productions de musique ancienne.<\/span>\u00a0<\/span><\/span><\/p>\n

Elle a enregistr\u00e9 sous les directions de Ren\u00e9 Jacobs, Philippe Herreweghe, <\/span>Jean-Claude Malgoire.<\/span><\/p>\n

Elle participe aux ensembles La Chapelle Royale, Ak\u00e2demia, Les Demoiselles de St-Cyr, Le Ch\u0153ur de Radio France. Elle a chant\u00e9 avec Op\u00e9ra \u00c9clat\u00e9, le r\u00f4le de Polly dans l\u2019Op\u00e9ra de quat\u2019sous,<\/i> avec Anna Prucnal puis Sapho.\u00a0<\/span><\/span><\/p>\n

Francesca Congiu a collabor\u00e9 aux cr\u00e9ations de la Compagnie Androm\u00e8de au Th\u00e9\u00e2tre <\/span>de la Bastille, au CDN d\u2019Angers, aux productions de L\u2019Art et la Fugue en Normandie, ainsi qu\u2019\u00e0 l\u2019Op\u00e9ra Th\u00e9\u00e2tre de Lyon.\u00a0<\/span><\/span><\/span><\/p>\n

Elle est cofondatrice de la Compagnie de th\u00e9\u00e2tre musical Le Carrosse d\u2019Or.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/06\/Chants-Profonds_-Repetitions__LLebon_09-01-23_-121217.png\u00a0\u00bb title_text=\u00a0\u00bbChants-Profonds_-Re\u0301pe\u0301titions__LLebon_09-01-23_–121217″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/06\/IMG_1442.png\u00a0\u00bb title_text=\u00a0\u00bbIMG_1442″ align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/02\/Chant-Profond-DSCF4865-1.jpg\u00a0\u00bb title_text=\u00a0\u00bbChant Profond – DSCF4865″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#af004b\u00a0\u00bb header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Fran\u00e7ois Delaive<\/span><\/h3>\n

Formation \u00e0 l\u2019ENSATT de la rue Blanche il a \u00e9t\u00e9 l\u2019\u00e9l\u00e8ve de Stuart Seide, de Brigitte Jaques, Genevi\u00e8ve Rosset, Yann Collette.
<\/span><\/p>\n

Puis au Conservatoire National Sup\u00e9rieur d\u2019Art Dramatique de Paris avec Madeleine Marion, Pierre Vial, Mario Gonzalez, Bernard Dort, Bernard Chartreux, Michel Bernardy. \u201cStages\u201d avec Alain Fran\u00e7on, Camilla Saraceni,\u2026<\/span><\/span><\/p>\n

En 2010 il obtient le Dipl\u00f4me d\u2019\u00e9tat d\u2019enseignement du th\u00e9\u00e2tre.\u00a0<\/span><\/span><\/p>\n

Com\u00e9dien, il a jou\u00e9 dans une quarantaine de productions th\u00e9\u00e2trales sous la direction de metteurs en sc\u00e8ne comme Brigitte Jacque-Wajeman, Olivier Py, Aur\u00e9lien Recoing, J\u00e9r\u00f4me Savary, Jacques Nichet, Andr\u00e9 Engel, Jo\u00ebl Jouhanneau.
<\/span><\/p>\n

Il a particip\u00e9 \u00e0 plusieurs longs m\u00e9trages sous la direction de Claude Sautet, d\u2019Isztvan Szvabo, de Jean Becker, de Charles Matton, de Fabrice Genestal , de Fran\u00e7ois Dupeyron, de Jean Weber. En outre, il a jou\u00e9 dan une soixantaines de films et de t\u00e9l\u00e9vision.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb3_4,1_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#af004b\u00a0\u00bb header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Ren\u00e9 Hernandez \u00a0<\/span><\/span><\/h3>\n

Il commence le th\u00e9\u00e2tre en 1974 \u00e0 l\u2019Atelier th\u00e9\u00e2tral d\u2019Ivry sous la direction d\u2019Antoine Vitez. Il a jou\u00e9 dans plus de quatre vingt dix spectacles et a \u00e9t\u00e9 dirig\u00e9 par des metteurs en sc\u00e8ne comme Christian Rist, Marcel Mar\u00e9chal, Guy Freixe,
<\/span><\/p>\n

Philippe Adrien, Nelly Borgeaud, Herv\u00e9 Petit, Ren\u00e9 Loyon, Genevi\u00e8ve de Kermabon, Christian Roy, Thomas Osterme\u00efer, Marianna Araoz dans une pi\u00e8ce de Jean- Henri Blumen, notamment et plus r\u00e9cemment au Th\u00e9\u00e2tre de la Temp\u00eate dans Timon d\u2019Ath\u00e8nes <\/i>de Shakespeare mis en sc\u00e8ne par Cyril Le Gris et Je suis Voltaire<\/i>
de Laurence F\u00e9vrier mis en sc\u00e8ne par l\u2019auteur, ainsi que Fin de partie<\/i> de Samuel Beckett au Th\u00e9\u00e2tre Essa\u00cfon dans une mise en sc\u00e8ne de Jean-Claude Sachot. Il tourne actuellement dans plusieurs spectacles dont En attendant Godot<\/i> de Samuel Becket, Si t\u00f4t d\u00e9j\u00e0<\/i> d\u2019apr\u00e8s Karl Valentin et Promenade<\/i> textes et po\u00e8mes de Francis Ponge.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/06\/DSCF0028.png\u00a0\u00bb title_text=\u00a0\u00bbDSCF0028″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/06\/DSCF4933.png\u00a0\u00bb title_text=\u00a0\u00bbDSCF4933″ align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_code _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#af004b\u00a0\u00bb header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Le Chant Profond Juif<\/b><\/span><\/h3>\n

\u2013\u2013\u2013\u2013\u2013\u2013<\/span><\/p>\n

1e<\/sup> partie<\/span><\/span><\/span><\/span><\/p>\n

Pratique<\/span><\/span><\/p>\n

Dur\u00e9e du spectacle 1h30\u00a0<\/span><\/span><\/p>\n

Le r\u00e9pertoire musical est revisit\u00e9 par de jeunes musiciens qui insufflent\u00a0 <\/span>\u00e0 la musique traditionnelle une vie nouvelle.\u00a0<\/span><\/span><\/span><\/p>\n

Production<\/span><\/p>\n

\"\"<\/span><\/p>\n

R\u00e9alisation<\/span><\/p>\n

Jean-Henri Blumen<\/span><\/strong><\/p>\n

Assitante \u00e0 la r\u00e9alisation
<\/span><\/p>\n

Lou Attias<\/span><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#af004b\u00a0\u00bb header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Direction d\u2019acteurs<\/span><\/p>\n

Mariana Araoz\u00a0<\/span><\/span><\/strong><\/span><\/p>\n

Arrangements musicaux<\/span><\/p>\n

Suzanne Ben Zakoun<\/span><\/strong><\/p>\n

Musiques additionnelles
<\/span><\/p>\n

Teddy Lasry, Alain Speiser<\/span><\/strong><\/p>\n

Cr\u00e9dit photos
<\/span><\/p>\n

R\u00e9mi Hostekind, Xavier Lambours<\/span><\/strong><\/p>\n

Laurence Lebon, Jean Fleuriot<\/span><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/02\/Chant-Profond-DSCF4876-1.jpg\u00a0\u00bb title_text=\u00a0\u00bbChant Profond – DSCF4876″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb header_3_text_color=\u00a0\u00bb#af004b\u00a0\u00bb header_3_font_size=\u00a0\u00bb31px\u00a0\u00bb header_4_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_4_font_size=\u00a0\u00bb19px\u00a0\u00bb header_5_font_size=\u00a0\u00bb21px\u00a0\u00bb animation_style=\u00a0\u00bbslide\u00a0\u00bb animation_direction=\u00a0\u00bbtop\u00a0\u00bb animation_intensity_slide=\u00a0\u00bb10%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Les auteurs<\/b><\/span><\/h3>\n

\u2013\u2013\u2013\u2013\u2013\u2013<\/span><\/p>\n

Chasda\u00ef Ibn ChaFrut <\/span>Espagne (<\/span>915 \u2013 980)<\/span><\/p>\n

Samuel Ha-Nagid Ibn Nagrila <\/span>Espagne (<\/span>993 \u2013 1056)<\/span><\/p>\n

Salomon Ibn GABIROL <\/span>Espagne (<\/span>1020 \u2013 057)<\/span><\/p>\n

Yehouda HALEVY <\/span>Espagne (<\/span>1075 \u2013 1141)<\/span><\/p>\n

Mo\u00efse Ibn EZRA <\/span>Espagne (<\/span>1055 \u2013 1138)<\/span><\/p>\n

Abraham Ibn EZRA <\/span>Espagne (<\/span>1089 \u2013 165)<\/span><\/p>\n

B\u00e9r\u00e9chia Ben NATRONA\u00cf <\/span>Provence (<\/span>XIIe<\/sup> si\u00e8cle)<\/span><\/p>\n

Isaac GORNI <\/span>Provence (<\/span>1250)<\/span><\/p>\n

Joseph HA-COHEN <\/span>Provence \/ Italie (<\/span>1496 \u2013 1575)<\/span><\/p>\n

Isaac ABRAVANEL <\/span>Portugal \/ Italie (<\/span>1437 \u2013 1508)<\/span><\/p>\n

Henrich HEINE <\/span>Allemagne (<\/span>1797 \u2013 1856)<\/span><\/p>\n

Rapha\u00ebl ELIAZ <\/span>Bulgarie \/ Isra\u00ebl (<\/span>XXe<\/sup> si\u00e8cle)<\/span><\/p>\n

Moch\u00e9 YOUGMAN <\/span>Pologne \/ Isra\u00ebl (<\/span>XXe<\/sup> si\u00e8cle)<\/span><\/p>\n

Yakovos CAMBANELLIS <\/span>Gr\u00e8ce (<\/span>XXe<\/sup> si\u00e8cle)<\/span><\/p>\n

Albert COHEN <\/span>France (<\/span>XXe<\/sup> si\u00e8cle)<\/span><\/p>\n

Armand Lunel <\/span>Provence (<\/span>XXe<\/sup> si\u00e8cle)<\/span><\/p>\n

Deux textes traduits du yiddish, l\u2019un introduit le r\u00e9cital, l\u2019autre le conclut, ils ont pour auteurs :<\/span><\/p>\n

Itzik FEFER <\/span>Ukraine \/ URSS (<\/span>1900 \u2013 1952 )<\/span>
<\/span><\/p>\n

Jacob GLADSTEIN <\/span>Pologne \/ USA (<\/span>1896 \u2013 1971)<\/span><\/p>\n

[\/et_pb_text][et_pb_image src=\u00a0\u00bbhttps:\/\/compagnielezart.fr\/wp-content\/uploads\/2023\/06\/DSCF4664-copie.png\u00a0\u00bb title_text=\u00a0\u00bbDSCF4664—copie\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.21.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Le Chant Profond \u00e9voque ce qui est enracin\u00e9 dans l\u2019histoire et la culture d\u2019un peuple.\u00a0Le Chant Profond Juif1e partie – Textes, po\u00e8mes et chants s\u00e9pharadesSi enracin\u00e9e qu\u2018elle soit dans les \u00e9critures qui la fonde, l\u2019identit\u00e9 juive a \u00e9volu\u00e9 au fil des si\u00e8cles. Apr\u00e8s s\u2019\u00eatre affirm\u00e9e en terre biblique, elle s\u2019est reformul\u00e9e du fait de l\u2019exil, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-240029","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/compagnielezart.fr\/index.php?rest_route=\/wp\/v2\/pages\/240029","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/compagnielezart.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/compagnielezart.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/compagnielezart.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/compagnielezart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=240029"}],"version-history":[{"count":10,"href":"https:\/\/compagnielezart.fr\/index.php?rest_route=\/wp\/v2\/pages\/240029\/revisions"}],"predecessor-version":[{"id":240071,"href":"https:\/\/compagnielezart.fr\/index.php?rest_route=\/wp\/v2\/pages\/240029\/revisions\/240071"}],"wp:attachment":[{"href":"https:\/\/compagnielezart.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=240029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}